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Initially used in a number of television advertisements and serials, the song was released as the album's lead single on October 17, Musically the song is influenced by pop from the s, with a chugging groove and chorus and a background element of a ticking clock that suggests the fear of wasting time.

Lyrically the song is written as a traditional dance number about a strong, independent woman who has relationship troubles. It was Madonna's 36th top 10 single on the Billboard Hot , tying her with Elvis Presley as the artist with most top ten hits.

It also became the most successful dance song of the decade in the United States. The music video is a tribute to John Travolta and his movies, and to dancing in general. Directed by Johan Renck , the clip starts with Madonna clad in a pink leotard dancing alone in a ballet studio and concludes at a gaming parlor where she dances with her backup troupe.

Interspersed are scenes of people displaying their dancing skills in a variety of settings, including a Los Angeles residential neighborhood, a small restaurant and the London Underground. In , after the release of her ninth studio album American Life , Madonna began working on two different musicals: one tentatively called Hello Suckers and another one with Luc Besson , [1] who previously directed the music video for her single " Love Profusion ", [2] which would portray her as a woman on her deathbed looking back on her life.

A Man After Midnight " formed the basis of the song. Thank God they didn't say no. They didn't say yes straight away. This is only the second time we have given permission. We said 'yes' this time because we admire Madonna so much and always have done. She has got guts and has been around for 21 years. That is not bad going. The advertisement featured Madonna and other artists jammed in a phone booth. It was also made available as a master ringtone with various mobile service providers.

The music industry has changed. You must join forces with other brands and corporations. You're an idiot if you don't. Musically, "Hung Up" is a dance-pop [13] and disco [14] song. According to The New York Times , the song has vaguely familiar hooks , sustained overlays of the string arrangement and acoustic guitar enfolding the music to create a haze like sound. The instant familiarity of the sampled music is changed by Stuart Price and Madonna by adding a chugging groove and a chorus which singles it out as an independent song.

According to Musicnotes. Lyrically, the song is written from the perspective of a girl who once had nothing and the theme centers around love.

Also present in the lyrics is Madonna's enduring embrace of strong, independent women. Keith Caulfield from Billboard , while reviewing Confessions on a Dance Floor , called the song "a fluffier cut".

Ben Williams from New York magazine described the song as sounding both throbbing as well as wistful. It's not a bad song by far, it has pep and a sense of fun, but it's not even close to being one of the best songs on the record". He further elaborated that what "'Hung Up' amounts to is a big gushy love note to Madonna's core fans, those club kids who pack the floor every time they hear the pounding beats of a Madonna classic and the dj's who can't get enough of spinning her records.

It had been years since Madge sounded this vapid. With its pitched-upward vocals, infectious arpeggio sample from ABBA's 'Gimme Gimme Gimme A Man After Midnight ,' and the bridge's unironic, archetypical key change, the track decidedly points to the past, and it proved that, 20 years into her career, Madonna was still the one and only Dancing Queen".

It became her highest opening position since " Ray of Light " entered the chart at five in The song became the chart's greatest digital gainer for that week and claimed the top position on the Hot Digital Songs chart. On the second week itself, the song reached the top of the Contemporary Hit Radio chart of Canada, while reaching the top five of the Adult Contemporary and Canadian Airplay charts.

In the United Kingdom, "Hung Up" debuted at number one on the issue dated November 13, , thus giving Madonna her 11th number one single on this chart. The first week sales of "Hung Up" were a little lower than Madonna's last UK number one, " Music " , which opened with , sales, but exceeded her last single " Love Profusion ", which debuted at number 11 with 15, sales in December He wanted the video to have a "documentary"-style look, much like that of his film, Rize , in which five of the dancers from the "Hung Up" video appeared.

Just deal with it, the mayhem, you know? Madonna clarified that the video was a tribute to John Travolta and to dance in general. Her dance moves for the video, which were inspired by Travolta's movies like Saturday Night Fever , Grease and Perfect took three hours to shoot.

Renck said,. Talk about priorities. Madonna wanted to use a few performers from her tour, such as Daniel "Cloud" Campos , Miss Prissy dancer from LaChapelle's Rize crew and traceur Sebastien Foucan , a practitioner of Parkour , a philosophical French sport. Renck said that "It's not about the music, but the bodily expression, [ Renck suggested that they include a boombox , used as a means of uniting everyone and everything since it was through listening to songs on a boombox that street dancing started.

A London suburb was made to look like a Parisian one, where the routine for Parkour takes place, whereas a restaurant in London's Chinatown was used for the Shanghai sequence and Compton stood in for the Bronx. The dancers' scenes were shot in early October within half a day, for a total of six days of shooting. Madonna was also associated with the editing process of the video. She was Renck's editing supervisor.

Madonna wanted a raw documentary look for the video which allowed her to be portrayed more realistically. Regarding the making of "Hung Up", Renck said that it was a massive work to undertake, "It's like you form this little family that's flourished and prospered for the month, and then you chop it down like a tree, [ The video starts with Madonna coming to a ballet studio carrying a boombox.

She switches it on as the clock ticking sound of the music starts. The scene interchanges with a group of people on the street who start dancing to the music while listening to a similar boombox.

As the song starts, Madonna dances to the music in the ballet studio. The second verse shows her continuing dancing while the people from the street take their boombox and board a taxi. In the meantime, Madonna finishes her workout in the ballet studio, drops her towel, changes her clothes and comes out on the street. After another round of dancing in the train, the intermediate music starts. As the song starts again, Madonna and the people from the street, who act as her background dancers, all dance on a Dance Dance Revolution machine in a gaming parlor.

The video ends showing Madonna lying on the ballet studio floor. She emerged from a glitterball to perform the song while wearing a purple leotard and matching leather boots. She sang the song by pairing up with the fictional animated band Gorillaz. The song was performed as the last song of her Confessions Tour. It was performed at the last "disco fever" segment of the tour. Madonna changed her aerobics costume for a purple leotard. During the second verse, she left her sunglasses and jacket and proceeded towards the front of the stage.

The song starts again as balloons fall on the crowd from the top. The song was also added to the six song set list of the Hard Candy Promo Tour in Madonna wore a shiny black outfit with black tails, Adidas track pants and high-heeled, lace-up boots.

It was re-invented as a heavy-metal version. She then asked the crowd whether they thought they had come to a Rolling Stones concert. When the crowd responded negatively, she started "Hung Up", while dedicating it to all the people who had waited outside in the queue to watch the show.

She declared that the noisy, metallic guitar breakdown of the song symbolised what waiting sounded like in the brain of all those who had waited. However, after that, the electric guitar was played to make noises, which Madonna dedicated to Republican vice-presidential nominee for the election, Sarah Palin. She said, "I'd like to express myself to Sarah Palin right now. Sarah Palin can't come to my show. It's nothing personal.

After performing a fragment of " Papa Don't Preach ", several dancers wearing tribal masks, surrounded Madonna, tied her up and proceeded to carry her to the center of the main stage just as the song's opening riffs , underpinned by the dramatic sound of church bells with vocoder vocals, started to play in the background. On April 13, , Madonna made a surprise appearance at the Coachella Festival and performed a medley of her song " Human Nature " and "Hung Up" during Drake 's act, sporting thigh-high boots and a tank top that read "Big as Madonna".

She then went on to kiss Drake, whose shocked expression went viral on the Internet. I got to make out with the queen Madonna and I feel about that forever".

From Wikipedia, the free encyclopedia. This article is about the Madonna song. For other topics, see Hung Up disambiguation. CD digital download. Dance-pop nu-disco house. List of number-one singles of Australia List of number-one hits of Austria List of Ultratop 50 number-one hits of Belgium List of Ultratop 40 number-one hits of Belgium List of number-one singles of Canada List of number-one songs of the s Denmark List of European number-one hits of List of number-one singles of Finland List of number-one hits of France List of number-one hits of Germany List of number-one hits of Italy List of number-one singles of Netherlands List of number-one songs in Norway List of number-one singles of Spain List of number-one singles of Sweden List of number-one singles of the s Switzerland List of UK Singles Chart number ones of the s List of UK Dance Singles Chart number ones of List of number-one digital songs of U.

List of number-one dance singles of U. List of number-one dance airplay hits of U. List of Romanian Top number ones of the s. Archived from the original on May 23, Retrieved May 9, MTV News. MTV Networks. Retrieved January 23, Rolling Stone Madonna: Like an Icon.

Gimme! Gimme! Gimme! (A Man After Midnight) (Roctakon RE-Edit)

Initially used in a number of television advertisements and serials, the song was released as the album's lead single on October 17, Musically the song is influenced by pop from the s, with a chugging groove and chorus and a background element of a ticking clock that suggests the fear of wasting time. Lyrically the song is written as a traditional dance number about a strong, independent woman who has relationship troubles. It was Madonna's 36th top 10 single on the Billboard Hot , tying her with Elvis Presley as the artist with most top ten hits.

This song has the wrong BPM. Our BPM analyzer may have analyzed a live or remixed version of this song. Select this option if you think we have the wrong BPM listed.

Buy Me A Coffee. Search for another track A Man After Midnight - Exte Length of the track.

Gimme! Gimme! Gimme! (A Man After Midnight) - Danny Verde Remix

Dave Tompkins :: Music Database. Half past twelve And I'm watching the late show in my flat all alone How I hate to spend the evening on my own Autumn winds Blowing outside my window as I look around the room And it makes me so depressed to see the gloom There's not a soul out there No one to hear my prayer Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day Movie stars Find the end of the rainbow with a fortune to win It's so different from the world I'm living in Tired of T. I open the window and I gaze into the night But there's nothing there to see no one in sight There's not a soul out there No one to hear my prayer Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day Gimme gimme gimme a man after midnight Gimme gimme gimme a man after midnight There's not a soul out there No one to hear my prayer Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day.

Pure Energy-Gimme Gimme Gimme (118 BPM)

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Gimme! Gimme! Gimme! (A Man After Midnight) - Extended Mix

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